Project 2 Jo Spence (self research)

Having spent some considerable time looking at Jo Spence, I find myself pulled in different directions. Firstly I admire her bravery, her work and how she speaks (or photographs) her mind. She is like me. I say it as it is. On the other hand the Libido Uprising project is just not my cup of tea, although I do understand what she is doing and why. Jo Spence appears to have influenced Gillian Wearing, whom I encountered earlier and I am convinced she will have given strength and courage to anyone who has seen her work.

Her life is somewhat tragic, being blessed with breast cancer and then leukaemia. My heart went out to her when I read her story. The illnesses have also been a catalyst for some of her best work.

The Cancer Shock project, must have been hard to work with, but also cathartic. Is there an element of exhibitionism again in there. I’m not convinced that many people I know would bare all. I understand why this is done but again this is not my cup of tea. I’m also unsure if the general public wold understand what the project is really about or the necessity get get one kit off.

Below is my favourite image that I have seen relating to Jo’s work. My reasons for this are laid out below the image.

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  • I am of an age where I actually remember using Squeezy washing up liquid. It was cheap and naff.
  • The images behind Jo also add to the message about the role of women in life and society.
  • I’m not sure but in the capitalism works poster, the main character appears to be the macho man Clint Eastwood.
  • The mask adds to the fact she is saying woman are being suppressed.
  • The gloves hint at what would have been classed as “women work”.
  • I think artists like Jo, will have awakened some ladies to take up the fight to strive for equality.
  • She is also wearing a wedding ring to add to the fact that she belongs to a man.
  • I am a believer in equality for all.
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Project 2 Masquerades Trish Morrissey

First thing that I want to say is that I am commenting here on the Front series (2005-2007) and nothing else.

This work is similar to Nikki Lee’s as previously commented, but for me this takes it one step further, she actually wears the clothes of the missing person within the group. She transforms into to that person. The family snap becomes the non family snap, but something from the film, The Invasion of the Body Snatchers.

They are a performance and a snap shot, that is not a snap shot, but something that is well planned, well executed and a snap shot that includes a 4×5 camera, a tripod, an expert in photography to stage the overall image. It is a great big whopping lie, with humorous and yet serous connotations.

Her work has echoes of Cindy Sherman and I am more drawn to these than the work of Nikki S Lee, possibly due to the subjects and the settings used. They also make me feel easier about the image than Lee’s work, although I can’t explain why. It’s simply a gut reaction.

I would love to know what thoughts were going through the mind of the kids in this image above. They both seem relaxed enough,  although I can see some stiffness and awkwardness is Morrissey.

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Image taken from : – Morrissey, T (Not known) Trish Morrissey, Available at: https://www.hawamediaplatform.com/nikki-s-leesimply a gut reaction. (Accessed: 02/08/17).

How would I feel if I were approached, well that would depend on who was asking, the weather and the overall project. Having seen these images I would also ask why they were recreating work that has already been done.

 

From now on I will discuss some of her other work.

The Failed Realist series, is simply childish expression in the form of face painting by Morrissey’s daughter, from something that she has just experienced. The paintings are pure innocence, yet to an adult they conjure up different ideas than what were intended at inception.

If this is the tooth fairy, I would hate to see the clown from It!

Clearly when viewing images our own psyche and consciousness takes over and may give the viewer a different perspective of the truth. The truth is specific to the viewer and shows how images can be interpreted.

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Image taken from : – Morrissey, T (Not known) Trish Morrissey, Available at: http://www.trishmorrissey.com/works_pages/work-tfr/workpg-11.html (Accessed: 02/08/17).

Seven Years is a prop driven series pulling apart the traditional family photographs. It explores the differences between relatives and explore how these differences can create tension. They are all a lie that aims to give answers, but I am not sure the answers you get are the truth as the foundation for the images is does not start with the truth.

Clever work, that creates tensions that may not exist in an original image. The series are thought provoking and not displeasing to look at. They have made me think, but once more this type of work is not my bag.

Project 1 Gillian Wearing

Well, it’s nice to see an artist that keeps her clothes on!

In saying that she actually abandons her skin in one of her projects, “masks” to reflect her own take own family portraiture and as she is in the shot, adding a strange twist to the self-portrait.

Gillian Wearing is not just a photographer, she is an accomplished artist and adds and thought-provoking take on portraiture.

Masks gives me an uneasy feeling that I believe stems from my childhood whilst watching Hammer horror films as I remember one that appears similar to this piece of work. I just don’t like the masks although I acknowledge this is a good way to express portraiture. It is not a unique way of doing this as another component of masks was Claude Cahun, who die in 1954. They both as the question who am I and question their identity and that of others.